Marshal

Between street and screen: human, animal, machine — or something in between. Stencils, paper, paint and generative AI give rise to figures between the familiar and the strange, humour and seriousness. Their stories stay open.

BETWEEN WORLDS

Not human. Not machine. Not either. Both.

Explore my philosophy
Ronin pasted up on a weathered Hamburg wall at blue hour.

Work

From wall to screen. Choose a field to explore the work.

A paste-up on a concrete facade at a Hamburg street corner, blue hour, wet asphalt.

A digital idea meets paper, paint and a wall. As the material changes, so does the way we look. What stays with an image when it changes places?

A brush pulling wheat paste down a sheet of poster paper against a concrete wall.

Characters

Figures between wall and screen

To keep the gallery work tied to the street, I paint on surfaces found discarded out there — retired traffic signs, old wood.

Carrying rolled posters and a paste bucket down an empty Hamburg side street.

About my work / Philosophy

BETWEEN WORLDS

BETWEEN ANALOG & DIGITAL

No fixed boundaries. No final state. No prescribed interpretation.

A loop in both directions

My art moves between opposites without having to choose a side.

Between human and machine. Between past and future. Between the raw reality of the street and the almost limitless possibilities of digital space.

My creative process is not linear. It is a loop.

An idea can emerge digitally and take physical form through hand-cut stencils, spray paint and paper. Equally, an analogue artwork can become the starting point for a digital transformation – including animations in which my characters develop a new life of their own.

The analogue becomes digital. The digital becomes analogue. And sometimes it all starts again.

Mistakes as a starting point

Perfection is not what interests me.

The unpredictable results of artificial intelligence meet running paint, shifted stencils and weathered surfaces. What first looks like a mistake can become the basis for a new idea.

In this constant movement, I recognise ideas from metamodernism: both-and thinking, the oscillation between apparent opposites.

Yet my art is not intended to illustrate a philosophical theory.

Open interpretations

My characters move between human, animal and artificial identities. They can feel familiar and strange at once, humorous and unsettling, nostalgic and futuristic.

I do not want to prescribe what they mean.

For me, an artwork does not end when it is finished. It changes through the eyes of the people who encounter it.

Interpretation does not belong to the artist alone. It belongs to you too.

MARSHAL ARTS — ART IN BETWEEN.

Editions and series

A stack of cut stencil layers, heavy overspray in cyan and magenta.

Instagram

Straight off the account

Marshal Arts Studio Post

More than the finished piece.

New art, wall projects, videos and a look inside the studio, once a month. Free, in German and English.

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Contact / Commissions

Want one on your wall?

Murals, painted signs and custom characters. Tell me the wall, the size and roughly when — I'll come back with a plan and a price. Single pieces are available without a wall too.

studio@marshalarts.cloud